

 |
Let Me In
(Rick Springfield/Matt Bissonette)
"Songs for the End of the World" version
I got this picture
here inside my head
Of you one morning
early you were still asleep in bed
The dog was snoring
as I left to catch a plane
And I saw your
hair band laying there
I took it with me
I remember how you
looked in love
Like angels kissed
your face There's nothing you couldn't rise above
You found my hiding
place
You turned me to
the sun
When you pulled the
thread I came undone
I heard you say
Let me in Why
don't you let me in
Let me in
Why won't you let
me in
Now those memories
all hold on to me
Like pages from a
book I wasn't meant to see
A rock of ages
fall to pieces in my hands
As the ring slips
off your finger, I run to catch it
And tonight
I'm
laying next to you, I hear you breathing
There's so much to
say but words are few
Farewell to Eden
Now I'm standing at
the gate
I'm on the outside
and I'm looking in
Can you hear me
Let me in Why
don't you let me in
Let me in
Why won't you let
me in
I caused the flood
but I still let you drown
You're in my blood
God knows I won't
back down
Without your love
the world won't turn around
Let me in Why
don't you let me in
Let me in
Why won't you let
me in
I don't think the
girl's in love I don't think the girl's in love I don't
think the girl's in love I don't think the girl's in love I don't think
the girl's in love I don't think the girl's in love
"Rocket Science" version
I got this picture
here inside my head
Of you one morning
early
You were still
asleep in bed
The dog was snoring
as I left to catch a plane
I saw your hair
band laying there
I took it with me
I remember how you
looked in love
Like angels touched
your face
There's nothing you
couldn't rise above
You found my hiding
place
You turned me to
the sun
When you pulled the
thread I came undone
I heard you say
Let me in
Why don't you let
me in
I begin where you
let me in
Now those memories
all hold on to me
Like pages from a
book I wasn't meant to see
Our rock of ages
falls to pieces in my hands
As the ring slips
off your finger, I
I run to catch it
And tonight I'm
lying next to you
I hear you
breathing, there's so much to say, but words are few
Farewell to Eden
Now I'm standing at
the gate
I'm on the outside
and I'm looking in
Can you hear me?
Let me in
Why won't you let
me in
I touch your skin
Why won't you let
me in
I caused a flood,
but I still let you drown
You're in my blood
God knows I won't
back down
Without your love,
the world won't turn around
Let me in
Why won't you let
me in
I begin, where you
let me in
Let me in
Why won't you let
me in
I won't give in,
until you let me in
I sure hope this
girl's in love I sure hope this
girl's in love I sure hope this
girl's in love I sure hope this
girl's in love
I believe in
miracles
I think this is
spiritual
I sure hope this
girl's in love
I sure hope this
girl's in love
Why
don' you let
me in
|
|
According to US
Songs for the End of the World version
Here's a great memory I have tied to this song. I'm on a Rick road trip
with a couple of friends, and we're driving somewhere in Pennsylvania. It's
getting dark, and we've been listening to the Songs for the End of the World
CD for a while now. This song comes on, and there's a collective sigh in the
vehicle. We listen to Rick sing in silence. (If you've met some of the ladies
I travel with, silence is rare with our group.) The song ends, and a
...voice
says, "Play it again." So we listen, in silence, again. Someone sighs, again.
We play it once more. Then again. It's now the only song that's played
continuously, until we arrive at our destination.
You get it, right?
I've said it before, and I will
probably say it again. I've got it bad for this dude. How can he write a
song about doing something so simple as taking a hair band with him on his
trip sound like it's my last dying wish? That all I want to do is just curl
up somewhere and gosh darn it, let him in? I think if he started performing
this one live, there'd be puddles of goo all over the audience. The song
ends with, "I don't think the girl's in love." Not sure why that is thrown
in there. Huh. He's obviously not talking about me. <looks around>
Michelle P
Songs for the End of the World version
Out of all the tracks on "Songs for the End of the World", this song
inspires me the most to write a review. There seems to be an air of
innocence that plays throughout the song even though the lyrics suggest
otherwise. The song is similar to "Our Ship's Sinking" and how he always
messes up and lets her drown, but with a different tempo.
You can hear the love he feels when he sings about the picture in his
head of her asleep in bed. He takes her hair band
as he leaves to catch a plane so that he has a piece of her with him while
they are apart. He appears to be reminiscing how she captured his heart and
how their relationship gave him the desire to be a better man and how his
heart melts when he is with her. He loves her innocence and strength.
He is telling us that there is trouble in the relationship when he says "I
remember how you looked in love" and hears her say "why don't you let me
in". He loves her so much, but doesn't know how to fully open up to her
about his feelings and transgressions and she is feeling left out.
At this point in the relationship, she has been hurt so many times and
he feels that he is to blame. He is the one who ate the apple when he says
"Farewell to Eden". As the ring slips off her finger and he runs to catch
it, he wants the relationship to survive, but the tables have turned, he
is now on the outside where she has been for much of the relationship. He
is beginning to understand how she feels when he says "let me in" and he
isn't used to being on that side of the relationship. He knows that they
are meant to be together and wants to work out their problems but feels
that she no longer loves him.
We all have had times in our
lives when we feel that people don't let us in and love how the song
conveys that feeling. "Let Me In" truly touches my heart.
Darla G
Rocket Science version
This
definitely isn't an upbeat song. I think
"Let
Me In" qualifies as a ballad, but it's a somber love song for sure. It starts
out sounding a bit like a traditional country song. But we're quickly reminded
that Rick Springfield isn't a country artist. Not that he's pretending to be
one.
"Let
Me In" is difficult to listen to because it really tugs at my heart. I can feel
the pain and sadness coming through loud and clear. This song is full of the
elements necessary for a great love song, including regret, sorrow, angst,
frustration, and of course, love. This is clearly an extremely personal song.
If you're feeling sad and
lonely, this probably isn't the best song to listen to. But if you're up for
it, "Let Me In" is as beautiful as it is melancholy.
Laurie Bedigian
I always have hope, when listening to a cd for the first time,
that I will find my new favorite song. I think that screws me up a lot of times
because I’ve got this really high expectation wanting to totally love something
the very first time I hear it, and I’m someone who tends to need to let the
songs grow on me. Although if I love it the minute, I hear it, I’ll love it
forever. I just happened to
be on a work road trip the day Songs for the End of the World came out, so on my
way out of town, I stopped at Best Buy the get the “extras” on the cd. So, I get
through the whole thing, and nope, nothing on there is my favorite. Then Let Me
In came on. OMG, I loved it.
The voice, the melody, the lyrics – everything. When I heard this
song, I picture the whole scene in my head, and its magic.
Rick revisits phrases/imagery a lot
(this is not a complaint). So, when you’ve listened to his catalog multiple
times, it is hard not to notice it. In this one, the gates and Eden is what
really rang a bell for me. I remember Rick saying somewhere that the reason this
was a demo and not a track on the regular cd was he felt like it was unfinished,
and I could see that. So fast forward 3 ½ years and Rocket Science comes out. We
had heard it had a country feel, or was country inspired, and that kind of made
sense to me to put this song on there. I listen to a lot of country music and I
felt like it really could be played on country radio. I was curious to see what
he had done to “finish” this song. Waaaaaah
Rick Springfield – what did you do to *my* song (haha). I was
not happy with the changes. It sounded more country, which you would think that
would be a good thing for someone who likes country music, but somehow it
wasn’t. I like the way he goes right into the song on the demo, instead of the
musical intro. I like his voice better on the Demo. It’s still basically the
same story, still paints a picture, but I just wanted my original version back.
Besides the change in the music, the 2 biggest lyrical changes are the new rhyme
schemes with Let Me In. I don’t know how I feel about it. I know at first, I
didn’t like them so much, but now as I listen, maybe its not so bad. I really
can’t decide. And then there’s the ending from “I don’t think this girl’s in
love” to “I sure hope this girl’s in love”…..Is it a different girl? (ha). Would
love to know what inspired that change. And adding more mystery to the whole
thing, Rick played this acoustically in his diary, and he didn’t play the last
part because he said “I didn’t like the ending part, so I left it out”…….That
would be a great question for someone to ask him……
As time has gone by, I have warmed up to the newer version. I
still like the demo better, but I’m ok with the new one, too. rlh
|